Writing & directing music theatre:
- for Cloud Cuckoo Land includes: Flex, Ariel On The Cliff, Ding Dong, What Big Eyes, Bleep ‘N’ Grind, Jamboree, Minnie Mandolinny and The Mystery of The Endless Night, Minnie Mandolinny and The Pot of Gold, The Last Drag, Captains Kates
- for Birmingham REP: Sleepwalking, Radio Foundry (scratch with immersive foley)
Directing scripted music theatre:
- with an integral loop pedal: Nobody (Theatre Uncut), Plaisteach (Jane English Company), Rare Visions: The Tempest (Flatpack / Natalie Mason)
- with an MD and live band: Puss In Boots (And Cat Without), Alice In Wonderland, The Wizard of Oz, The Land of Green Ginger (all Festival Arts)
Musicians I’ve collaborated with on original music theatre:
- Matt Eaton (Offie nominated sound designer / Pram)
- Simon Maragh (Dogfood / L’Augmentation)
- Atsuko Kamura (Kamura Obscura)
- Bethany Kay (The Nature Centre)
- Natalie Mason (Inclementine / The Josiah Mason Band)
- Tyriq Baker
- Kate Thompson (Kategoes)
- Joe Clixby (Loum)
- Sam Owen and Max Simpson (Pram / Two Dogs)
Teaching includes
- Training and mentoring over 30 emerging music theatre artists for Cloud Cuckoo Land’s ‘Cuckoo Collective’ development programme
- Teaching music theatre performance for Rose Bruford College and Royal Birmingham Conservatoire
- Music theatre workshop facilitator with 25+ years’ experience
Training includes
- Lev Dodin, Maly Drama Theatre (European Union of Theatres directing placement, 3 months)
- Ellie Griffiths, Oily Cart (International Sensory Lab, 3 weeks)
- Paul Hunter, Told By An Idiot (The Director and The Devising Process, 1 week)
- Ars Electronica festival, Linz (Leonardo mobility, 1 month)
- Natalie Abrahami and Sue Emmas, Young Vic (Springboard, 1 week)
- Justin Audibert (JMK Residency, 3 days)
KATERINA PUSHKIN 